Conversations: Perfecting the Lost Art

 Selling professional services  has been defined as a combination of art and science, with communications being the key element. How many times have you planned the perfect client meeting only to leave the meeting without the sale or client commitment to move forward?  Communication might be getting in your way. 

One of our biggest problems is not taking into account the communication “noise”.  You might not have the undivided attention of your client. I am not talking about telephone interruptions or knocks on the door.  I am talking about what is going on in the client’s mind while you are trying to have a conversation.  In my “Overcoming Communications Barriers” seminar, I have a slide showing a client at his desk with cartoon balloons above his head showing what is on his mind. He is thinking about dinner with his wife, his son’s soccer game, the MLB baseball results, his car needing an oil change, etc.  And, you thought you were the most important thing he would be thinking about today.

When I first got into this business a sales trainer told me the key to selling is getting the client more interested in buying than you are in selling.  This means make your conversation less about your company and more about the client.  Don’t confuse this with leaving out the key reasons why the client needs your services. Since there isn’t a magic phrase that will make a client want to buy from us, we need to look at how a conversation can take us to the place where the client must buy from us.  If you start with a problem he is dealing with at the beginning of the conversation, it is easy to get the client to set aside other things on his mind and focus on you.  This is the art of selling.

Understanding how to lead a conversation will put you on the path to gaining information that is critical for your success in selling the client your services.  Asking the right questions is the first step.  Everyone working in business development or marketing in the professional services industry and all other industries for that matter knows you need to ask open ended questions. Yes and no answers are not the way to build a conversation.  Here is an example (How to find a client problem):
“Did you know there are five critical areas of expertise needed to design (fill in the blank with the client’s project)?  Conversations are built on body language. Wait and see the client’s reaction to your question.  Use the client’s answer and non-verbal cues to build the case for your firm.  The conversation might continue with the client saying, “Your expertise is great, but my problem is (blank).  Now the client is helping you build the conversation. You just learned a pain point you didn’t know before the meeting. When you answer, you will have the client’s full attention.

Your answer is simply, “Have you ever visited X.  The client for this project had the same problem you just mentioned and was initially concerned about using our firm.  We were selected not only because our team had experience with the large design issues, but because we had innovators who took care of the small issues that can slow down a major project.  We built trust by assuring the client that when you have a problem that no one has ever dealt with, you want us on the team to create a solution. The project has received many awards since its completion”

Your statement will generate a number of questions.  It might reveal a competitor who is wired into the project.  It might reveal the client’s problem is not what he just stated, but something different.  The answer will allow you to continue the conversation.  You might follow up with, “I understand how the problem you mentioned could impact the project, but is the project a current priority? Has it been funded? When do you plan to start? Do you have other people on your team working on the problem now or will you leave the solution to the design team?”  All of these questions continue the conversation and allow you to gather more information.  

The Paradigm of Creativity: Change Business Outcomes

A lot has been written over the years about creativity.  People who market professional services are thought to be creative.  Creativity is expected, if you want to enter this business.  What do you know about creativity?

Many think it is simply a right brain condition where creative people have strengths while left brain folks are better suited for the technical, numbers and details of the industry.  Viewing creativity as solely the realm of one side of the brain limits ideas and possibilities. It fails to respect how creativity impacts science and rational thinking. Creativity comes from an assortment of traditional and non-traditional sources.

Are you a broker of possibility and hope? 

If not, you need to look at your creativity in the context of emotional intelligence. The chart shows how both sides of the brain come into play. The quadrants of emotional intelligence include: Self-Awareness, Social-Awareness, Relationship Management and Self-Management.  Understanding each of these will enable you to unleash your inner and sometimes hidden creative forces.

You might be asking yourself how creativity comes into play with your relationships.  Vision, influence and leadership drive creativity to support your relationships. 

Have you gotten tired of people saying, “Think outside the box?”  The creative marketing professional doesn’t think outside the box, they create a new box.   Marketers don’t like to play on a level playing field.  They are under constant pressure to create a competitive advantage.  If they believe they are on a level playing field, they will look like a community college against a Clemson in the National Championship game.   The services that your firm delivers to clients are like hundreds of others.  How do you make yourself and your firm memorable to clients?  The internet has made it easy for clients to assess the capabilities of firms they want to do business with.   In an industry that considers sales a dirty word, the word creativity brings on images of crazy, outrageous, and unwise.  Therefore, your creativity must be tempered by your flexibility and adaptability.  Management realizes that traditional marketing and the status quo no longer build business.  A change agent must be a leader first. 

 Think about what these people had to say about creativity:

“A truly creative person rids him or herself of all self-imposed limitations.” Gerald G. Champoski

“Creativity is a highfalutin word for the work I have to do between now and Tuesday.” Ray Kroc

“Creation is a drug I can't do without.” Cecil B. DeMille

It is interesting that the movie maker, De Mille, and the entrepreneur, Kroc founder of McDonalds, both viewed creativity as essential for their work.  You should feel the same way.

Six Myths Of Creativity

A groundbreaking study about innovation in the workplace uncovered six myths of creativity. The study, conducted by Teresa Amabile, a professor and head of the entrepreneurial management unit at Harvard Business School, was summarized in a Fast Company article, "The 6 Myths of Creativity."  Here is what she found:

• Creativity comes from creative types: The reality is that anyone with normal intelligence is capable of doing some degree of creative work.

• Money is a creativity motivator: The reality is that money isn't everything.

• Time pressure fuels creativity: The reality is that time pressure stifles creativity because people can't deeply engage with the problem.

• Fear forces breakthroughs: The reality is that creativity is positively associated with joy and love, and negatively is associated with anger, fear and anxiety.

• Competition beats collaboration: The reality is that the most creative teams are those that have the confidence to share and debate ideas.

• A streamlined organization is a creative organization: The reality is that creativity suffers greatly during a downsizing.

How do these findings relate to the conditions in your firm?

You now know that both sides of the brain are important in the creative process.  Do you ever believe something in your gut but are afraid to offer the idea or proceed?  Intuition is one of the strongest ways to deliver your creative process.  There are other things to consider, if maximizing your inherent creativity is a goal in your career path.  Don’t second guess yourself or live in the pit of self-doubt.  Accept criticism but don’t accept it as an absolute. Observe and learn from your mistakes.  Become a risk taker.  

Break free from the naysayers, external constraints, internal biases and fear of reprisals or consequences.  Your curiosity should compel you to ask questions.  Marketers who are afraid to ask questions continue to play on a level playing field.   We are all solution providers and are, to one extent or another, creative people.  If you are having problems with this, stop asking “why” and start asking “why not.”  The paradigm shifts when you use creativity to change the outcomes of your firm's business opportunities. The change agent is yesterday's news.

You will be well prepared to become a broker of possibility and hope. 

The 6 Keys to Making Presentations Memorable

What are the chances that the audience or selection committee will remember what you said in your last presentation?  Everyone is challenged when they are faced with creating and delivering a presentation.  When a project is on the line for a client presentation, the consequences are high and nothing can be left to chance. Selection is the only way to verify it was memorable.

It is hard enough to think about how you measure up against the competition, but how about measuring up against the client’s perception of your presentation?  Research shows us that after a 10 minute presentation, your audience will remember only 50% of what they heard.  By the next day that memory will be reduced to 25% and within a week only 10% will be remembered.  Hopefully, the selection committee makes their decision at the end of the first day.  The following 6 keys to making a memorable presentation should help anyone who is tasked with making a presentation and enable firms to raise the bar on the success of their client project presentations.  It goes without saying that you need to know your material and that notes, if used at all, should be minimal.  However, much more is needed to make your next presentation memorable.

I was taught a long time ago that there should only be three parts to a presentation: 

1. Tell them what you plan to say.
2. Tell them.
3. Recap what you told them and give them a call to action. 

Science tells us that the human mind can only retain 3 to 7 points from a presentation in the short term.  Too often in client presentations, principals want to throw in everything, including the kitchen sink.  It is the job of the marketing professionals to reign in the free thinkers and focus the presentation on the client’s needs.

The question still remains as to how you make that process memorable.

It begins with the central message.  You should have one message you want the audience/client to remember.  Although this needs to be concise and short, it must be repeated as the common thread running through the entire presentation.  Is the main point trust, competence, experience, depth of staff, or some other important element?  You need to remember it is one point and not all of the above.

Memorable presentations are easy to understand.  Leave the jargon for industry conferences and complex information for design meetings.  Jargon combined with complexity results in confusion on the part of your audience.  Condensing your body of work into a 30-minute presentation can only confuse a client who was ready to hire you. Don't make it hard for your client to say yes.

Every firm will use visuals in their presentations. Use of visuals takes the retention factor from 10% to 65%.  The key to this statistic is relevant visuals.  I worked with one architect who would fly an airplane over a proposed building site prior to a presentation.  He would take the visuals from that and turn them into powerful elements in his presentation.   Visuals of previous work are worthless unless they clearly leave a positive impression in the client’s mind of what their dream will look like.

I have written several blogs that point out the importance of stories.  Memorable presentations are filled with stories and anecdotes. Stories create images that remind our audiences of their life experiences, challenges and successes.  The audience visualizes your idea without seeing an actual visual on the screen.

I am reminded of a prestigious museum project in the Midwest where some of the world’s most renowned architects were invited to make presentations.  While all the others had a project team show up with dozens of displays, one architect showed up empty handed.  He walked over to where the selection committee was seated, took off his overcoat and scarf, sat down and asked, “Do you have any questions.” They did. He answered and was awarded the job.

When I was the marketing director for a national trade association in the construction industry, I was in charge of the process for selecting an advertising agency.  Three of the agencies came in with polished dog and pony shows and teams of agency professionals.  They presented relevant experience with design and construction firms as well as trade associations. The president of the last firm showed up by himself with a leather case.  After introductions with the selection committee, he sat down at the table and stated, “I don’t do this often.  Most of my business comes from word of mouth.” He spent the next 45 minutes having a conversation with the committee.  Occasionally, he would reach into his case and pull out an example of his work.  Later that afternoon, he was retained as the association’s advertising agency.

Do these examples represent the exception to the rule, or do they show us what happens when creativity meets at the intersection of preference and selection?  You and your firms have thousands of stories to tell.  What do you pull out of the case when a project is on the line?

Next, the presentation has to have movement and action.  If several members of the team have been assigned speaking roles, they all can’t assume the same position in front of the selection committee.  If you are doing a solo presentation in front of an audience, you must leave the comfort of the podium and move across the stage.  Memorable presentations connect with the audience and it is crystallized when the presenter connects through body language and movement.  Pace and pausing for affect are critical in delivering a memorable presentation.  Some of the most memorable speeches have lived on in our memories because of the way the speaker used inflection in delivering the message.  There is no room for a monotone voice in a memorable presentation.  Of course, your audience might remember the monotone, but they won’t remember the message.

Finally, the memorable presentation must include a call to action.  As you recap what you told the audience and hammer home the common thread once again, you must challenge them with something to do.  Winning the job is the real purpose of the client presentation.  It could go something like this:  “We came here today to show you we are a trusted firm in the industry and have shown you a clear process for making your project a success.  You wouldn’t have invited us, if we were not qualified or our project team lacked the experience needed for your project.  We are excited about sharing your dream and seeing it fulfilled. 

When you weigh the pros and cons of the firms interviewed for this project, we want to be the firm chosen to move forward with this project with you.  We simply want to be partners with you on this journey.”  A simple recap and call to action is the way to end a memorable presentation.

On the 150^th anniversary of the Battle of Gettysburg, I would be remiss, if I didn’t end with a reminder of one of the most memorable presentations in the history of our nation.  Without a white board or PowerPoint presentation, Abraham Lincoln gave the Gettysburg Address four months after the battle that turned the tide on the war.

"Four score and seven years ago, our fathers brought forth on this continent a new nation: conceived in liberty, and dedicated to the proposition that all men are created equal” begins the address.    The visual is a nation at war and a bloody battlefield. It was simple and concise. Lasting only two minutes and less than 200 words, the Gettysburg Address will be remembered for centuries.  Think about this the next time you are conflicted about the fancy graphics, swirling transitions and video clips your are considering for your presentation.  These might make us feel good, but it is the perception of the audience where the rubber meets the road.  When you implement these six steps, you will take a cool presentation and make it memorable.

Is Social Media the Massage?

Every firm that has included social media in its 2013 Marketing Plan, should take a lesson from a media expert from the 1960's. In the 1962, Marshall McLuhan created a firestorm with his book,  The Medium is the Massage.  McLuhan, a Canadian professor and communications theorist, adopted the term "massage" to denote the effect each medium has on the human senses, taking inventory of the "effects" of numerous media in terms of how they "massage" the senses.

McLuhan believed that modern audiences have found current media to be soothing, enjoyable, and relaxing; however, the pleasure we find in new media is deceiving, as the changes between society and technology are not the same and he thought were perpetuating an Age of Anxiety.  And, so it is with Social Media.

He coined the phrase “the medium is the message” which summarized his view of the potent influence of television, computers, and other electronic disseminators of information in shaping styles of thinking and thought, whether in sociology, art, science, or religion. He regarded the printed book as an institution fated to disappear.  Yet, 50 years later, printed books are still around.  His views on media were right on target.

In 1982, John Naisbitt wrote Mega Trends, a book that accurately predicted socio-economic trends for the next several decades.  He predicted that as we rely more on technology, we will feel the need for more human interaction.  He believed that “high tech required high touch.”  People will always want to be connected despite the impact of technology that keeps us apart.  Communities, neighborhoods, work and church were places where these connections have traditionally been made.

Today, that connection is more often made through social networks. The landscape of the work environment has changed as well.  Although social networks do connect us, they don’t connect us in a physical way.  This is not the networking that is done during a cocktail reception when you meet people face-to-face. Thus, it is time to take another look at McLuhan and peel back the onion of social media to determine whether it is simply a massage of our senses or an important place to conduct business.  Although some believe the title of the book was an accident made by a typesetter. Yes, before computer printing and email, someone actually had to set the type that appeared on the printed page. However, when it was brought to McLuhan’s attention, he proclaimed that was the perfect word.  The important thing about communications is that words matter.

Everything social from LinkedIn to Twitter to Facebook has an impact on our senses that goes beyond the content of the communications.  When people tweet their locations and what they are doing tonight, is it really important communications or something that makes them feel good? Therefore, in a real way, social media is a massage.  It gives us everything we expect from a good body massage.  We feel different when we are finished.

Communications, on the other hand, is about the message.  This brings us full circle to the purpose of Business Development Professionals and that is providing training for professional services firms in the areas of marketing and business development.  It is about understanding how to deliver consistent and clear messages to clients. 

Messages that move your business proposition forward.  There is no doubt that social media has a place in doing this.  When it is done correctly, there is power in social media. Firms need to understand that a social media component in their marketing plan is not a guarantee of success.  No matter how cool the CEO thinks it is to have a large following on Twitter, it is still the content of the messaging that will make the difference in attracting clients.

Is social media part of your marketing plan because everyone is doing it and it is the cost of doing business today?  Is it the massage that makes you feel good about what your firm has done in the past?  Is social media the message and not the content of what you are trying to communicate?  Every firm needs to honestly answer these questions.  Our training programs and consulting services have a module on client communications.  Here are three tips you can use to assess your social media strategy:

1.    Is your firm considered a thought leader in the industry?

2.    If they aren’t already, have your industry experts start posting articles/blog on your website

3.    Start tracking all communications sent through social media.  In short time, you will understand whether social media is the message, massage or vital component of your marketing strategy.

Finally, if the communication stands on its own and is important for your clients to understand, using other media should be part of your comprehensive marketing plan.  For example, most firms will announce major projects or successes on their social media platform and website, but also deliver press releases to industry media, including magazines.  On the other hand, what you had for dinner or whether your daughter won her basketball game, is probably not worthy of a press release.  Remember, if you or your firm posted it, every client and potential client can read it.  For this reason alone, you should make all of your communications worth reading.  Go some place else for a good massage.  If you really want to feel good, buy a dog from a shelter.